跳到主要內容

許慎《說文解字》「六書」完整說明 / Xu Shen’s Shuowen Jiezi: Comprehensive Explanation of the "Six Writings" (Liushu)—Gemini

一、 許慎《說文解字》「六書」完整說明 / Xu Shen’s Shuowen Jiezi: Comprehensive Explanation of the "Six Writings" (Liushu)

漢代許慎在《說文解字·序》中將漢字的造字與用字方法歸納為「六書」。以下針對各類別進行專有名詞解析與引用說明:

In the preface of Shuowen Jiezi, Xu Shen of the Han Dynasty summarized the methods of Chinese character creation and usage into the "Six Writings" (Liushu). Below is an explanation of each category, incorporating technical terms and original textual citations:

1. 象形 / Pictograms (Xiangxing)

  • 專有名詞解釋 / Terminology Explanation
    象形是一種「造字法」。指依據客觀事物的真實輪廓、形狀,隨體詰詘(順應物體的曲折)繪製出象形符號。
    Xiangxing is a "character-creation method." It refers to drawing pictographic symbols based on the actual outlines and shapes of objective objects, following their natural curves and contours.

  • 《說文解字·序》原典引用 / Textual Citation from Shuowen Jiezi Preface
    「象形者,畫成其物,隨體詰詘,日、月是也。」
    "Pictograms are those where the character is drawn according to the object, following its natural curves and contours, such as 'Sun' (日) and 'Moon' (月)."

  • 說明與範例 / Explanation & Examples
    直接描摹實物外形。例如「日」(像太陽之形)、「月」(像半月之形)、「木」(像樹木有枝幹根鬚之形)。
    Directly depicting the outer physical appearance of real objects. For example: "日" (sun, shaped like the sun), "月" (moon, shaped like a crescent moon), "木" (tree, shaped like a tree with branches and roots).

2. 指事 / Ideograms / Simple Indicators (Zhishi)

  • 專有名詞解釋 / Terminology Explanation
    指事是一種「造字法」。指用抽象的符號,或是利用象形字作為基礎加上提示性符號,來表達抽象的概念或位置。
    Zhishi is a "character-creation method." It uses abstract symbols or adds indicator marks onto foundational pictograms to express abstract concepts or positions.

  • 《說文解字·序》原典引用 / Textual Citation from Shuowen Jiezi Preface
    「指事者,視而可識,察而見意,上、下是也。」
    "Indicators are those that can be recognized upon viewing, and whose meaning becomes apparent upon closer inspection, such as 'Above' (上) and 'Below' (下)."

  • 說明與範例 / Explanation & Examples
    乍看之下能認識字形,仔細觀察便能領會其抽象含義。例如「上」、「下」(在橫線上方或下方加點指示位置)、「刃」(在「刀」字刀口處加一點指示刀刃部位)。
    Recognizable at first glance, with its abstract meaning becoming clear upon closer examination. For example: "上" (above) and "下" (below) (placing a stroke above or below a baseline), "刃" (blade, adding a dot to the edge of the character "刀" [knife]).

3. 會意 / Associative Compounds (Huiyi)

  • 專有名詞解釋 / Terminology Explanation
    會意是一種「造字法」。將兩個或兩個以上的獨體字(字根)組合在一起,將它們的意義組合起來以表達一個新的複合意義。
    Huiyi is a "character-creation method." It combines two or more independent character components (radicals) together, merging their meanings to express a new compound idea.

  • 《說文解字·序》原典引用 / Textual Citation from Shuowen Jiezi Preface
    「會意者,比類合誼,以見指撝,武、信是也。」
    "Associative compounds are those that combine categories and join meanings to reveal the intended concept, such as 'Martial/Military' (武) and 'Trust/Faith' (信)."

  • 說明與範例 / Explanation & Examples
    將相同或不同類別的字合併以呈現出造字意圖(指撝)。例如「武」(「止」與「戈」結合,指止戈為武或持戈奔走)、「信」(「人」與「言」結合,代表人說的話應講信用)、「休」(人在樹木旁休息)。
    Combining characters of similar or different categories to convey the intended meaning. For example: "武" (military/valour, combining "stop" and "dagger-axe"), "信" (trust, combining "person" and "word", implying a person's words should be trustworthy), "休" (rest, a person leaning against a tree).

4. 形聲 / Phono-semantic Compounds (Xingsheng)

  • 專有名詞解釋 / Terminology Explanation
    形聲是一種「造字法」。由「形旁」(表意部件)與「聲旁」(表音部件)結合而成,兼具意符與音符的功能。漢字中有超過 80% 以上屬於形聲字。
    Xingsheng is a "character-creation method." It combines a "semantic component" (meaning indicator) and a "phonetic component" (sound indicator), functioning as both a sign of meaning and pronunciation. Over 80% of Chinese characters belong to this category.

  • 《說文解字·序》原典引用 / Textual Citation from Shuowen Jiezi Preface
    「形聲者,以事為名,取譬相成,江、河是也。」
    "Phono-semantic compounds are those that name an object according to its category and select a phonetically analogous component to complete the character, such as 'Jiang River' (江) and 'He River' (河)."

  • 說明與範例 / Explanation & Examples
    依據事物類別選擇形旁(以事為名),再選用讀音相近的字作為聲旁(取譬相成)。例如「江」、「河」(「氵/水」為形旁,代表河流;「工」、「可」為聲旁,提示讀音)。
    Selecting a semantic element based on the category of the object ("naming by matter") and pairing it with a phonetically similar element ("completing by phonetic analogy"). For example: "江" (Jiang River) and "河" (He River) (where "氵/water" acts as the semantic component representing rivers, while "工" and "可" serve as phonetic components indicating pronunciation).

5. 轉注 / Derivative Cognates / Transfer Characters (Zhuanzhu)

  • 專有名詞解釋 / Terminology Explanation
    轉注是一種「用字法/造字補充」。指建立了同一部首的字,其意義相同或相近,可以互相通訓、相互解釋。
    Zhuanzhu is a "usage method / character system extension." It refers to characters sharing the same radical component that have identical or similar meanings and can be used to define or gloss each other.

  • 《說文解字·序》原典引用 / Textual Citation from Shuowen Jiezi Preface
    「轉注者,建類一首,同意相受,考、老是也。」
    "Derivative cognates are those that establish a shared radical category and accept mutually interchangeable meanings, such as 'Examination/Elder' (考) and 'Old' (老)."

  • 說明與範例 / Explanation & Examples
    文字在不同時代或地域發展出同義互解釋的現象。例如「考」與「老」同屬老部,二字古義皆為年長之意,可互相解釋(「考,老也」、「老,考也」)。
    A phenomenon where characters develop synonymous relationships across different eras or regions and can define each other. For example: "考" and "老" both belong to the "老" (old) radical; in ancient times, both meant advanced in age and could be glossed interchangeably ("考 means 老", "老 means 考").

6. 假借 / Phonetic Loan Characters (Jiajie)

  • 專有名詞解釋 / Terminology Explanation
    假借是一種「用字法」。當語言中出現了某個詞彙(聲音),但書寫系統中尚未為其製造專屬字形時,借用現成音同或音近的字來記錄該語言詞彙。
    Jiajie is a "usage method." When a spoken word (sound) exists in the language but lacks a dedicated written symbol, an existing character with the same or similar sound is borrowed to record the word.

  • 《說文解字·序》原典引用 / Textual Citation from Shuowen Jiezi Preface
    「假借者,本無其字,依聲託事,令、長是也。」
    "Phonetic loans are those where no character originally existed for the concept, so a character is borrowed based on sound to represent the meaning, such as 'Magistrate' (令) and 'Leader' (長)."

  • 說明與範例 / Explanation & Examples
    例如「令」原本指命令,「長」原本指長者,後來依聲借用為官職名稱(縣令、縣長);又如「我」原為一種兵器,後被假借為第一人稱代名詞。
    For example: "令" originally meant "to order" and "長" meant "elder", but were phonetically borrowed to refer to administrative titles (magistrate, head of district); similarly, "我" was originally a type of weapon, but was borrowed to serve as the first-person pronoun ("I/me").

二、 語言與文字出現的時間順序 / Chronological Sequence of Spoken Language and Writing Systems

人類在歷史發展中,「語言」的出現遠早於「文字」。演化與考古的時間順序如下:

In human history, spoken language appeared far earlier than written characters. The chronological sequence based on evolutionary and archaeological studies is as follows:

  1. 語言的出現(約 10 萬至 30 萬年前) / Emergence of Spoken Language (approx. 100,000 to 300,000 years ago)

  • 時間 / Timeline:解剖學上的現代智人(Homo sapiens)約於 20 萬至 30 萬年前出現。根據現代語言學與古人類學(如聲帶喉部位置下降、基因與發音器官的演化)研究,人類口語語言的形成大約在距今 10萬 至 30萬年前
    Anatomically modern humans (Homo sapiens) emerged roughly 200,000 to 300,000 years ago. According to modern linguistics and paleoanthropology (e.g., the lowering of the larynx, genetic and vocal apparatus evolution), spoken language formed approximately 100,000 to 300,000 years ago.

  • 特點 / Characteristics:語言是透過聲帶發音與聽覺接收的即時交流工具,早期沒有留下實體紀錄。
    Spoken language is a real-time communication tool operating via vocal tract sound production and auditory reception; early speech left no physical records.

  1. 符號與圖畫的出現(約 3 萬至 5 萬年前) / Emergence of Symbols and Cave Paintings (approx. 30,000 to 50,000 years ago)

  • 時間 / Timeline:舊石器時代晚期(約 3萬 至 5萬年前)。
    Upper Paleolithic period (approx. 30,000 to 50,000 years ago).

  • 特點 / Characteristics:人類開始在洞穴中繪製壁畫或刻劃記號(如法國拉斯科洞窟壁畫)。此階段屬於「圖畫記事」或「結繩記事」,尚未形成可記錄完整語言語法的文字系統。
    Humans began creating cave paintings or incised marks (e.g., the Lascaux cave paintings in France). This stage represents "pictorial recording" or "quipu/knotted cords," but does not yet constitute a true writing system capable of recording full linguistic syntax.

  1. 文字的出現(約 5000 至 5500 年前) / Emergence of True Writing Systems (approx. 5,000 to 5,500 years ago)

  • 時間 / Timeline:公元前 3500 年左右(距今約 5500 年)。
    Around 3500 BCE (approx. 5,500 years ago).

  • 特點 / Characteristics:世界上最早的成熟文字體系為蘇美人的「楔形文字」(Cuneiform),隨後有古埃及的聖書體(約公元前 3200 年)。
    The world's earliest mature writing system was Sumerian "Cuneiform," followed closely by Egyptian Hieroglyphs (approx. 3200 BCE).

  • 漢字發展 / Chinese Script Development:中國目前發現最早且具備完整體系的文字為商代晚期的甲骨文(約公元前 1300 年 / 距今約 3300 年),而在甲骨文之前還有更早的陶器刻劃符號(如仰韶文化、大汶口文化陶符,距今約 5000–6000 年,屬文字雛形)。
    The earliest fully developed writing system discovered in China is the Oracle Bone Script from the late Shang Dynasty (approx. 1300 BCE / 3,300 years ago). Earlier ceramic markings (such as Yangshao or Dawenkou symbols, dated 5,000–6,000 years ago) represent proto-writing forms.

三、 彙整表格 / Summary Table

分類項目Category

類別名稱Classification

屬於類別Type

《說文解字》原典定義Shuowen Jiezi Definition

代表字例Example

核心概念說明Core Concept

六書


Six Writings

象形


Pictograms

造字法


Character Creation

畫成其物,隨體詰詘

日、月

隨物體線條描繪具體實物外形。


Depicts physical shapes following object contours.


指事


Simple Indicators

造字法


Character Creation

視而可識,察而見意

上、下

用符號標示抽象概念或具體部位。


Uses marks to indicate abstract concepts or locations.


會意


Associative Compounds

造字法


Character Creation

比類合誼,以見指撝

武、信

結合兩個以上字根的意義產生新意。


Combines two or more component meanings to form a new idea.


形聲


Phono-semantic

造字法


Character Creation

以事為名,取譬相成

江、河

由表意的形旁與表音的聲旁組合而成。


Combines a semantic component with a phonetic component.


轉注


Derivative Cognates

用字法


Character Usage

建類一首,同意相受

考、老

同一部首且意義相同者,可互相通訓解釋。


Characters with shared radicals and meanings gloss each other.


假借


Phonetic Loans

用字法


Character Usage

本無其字,依聲託事

令、長

借用同音字記錄語言中本無專字的詞彙。


Borrows existing homophones to write words lacking unique characters.

時間順序


Timeline

1. 語言


Spoken Language

口語表達


Oral Speech

廣泛認定於智人演化早期


Early Homo sapiens evolution

(口語音素)


(Phonemes)

距今約 10萬–30萬年前 出現,遠早於文字。


Emerged 100k–300k years ago, long before writing.


2. 符號與繪畫


Symbols & Art

圖像記事


Pictorial Record

洞穴壁畫、刻劃記號


Cave art, incisions

壁畫、陶符


Cave art, symbols

距今約 3萬–5萬年前 出現,非完整文字系統。


Emerged 30k–50k years ago; non-systematic proto-writing.


3. 文字


True Writing

書寫系統


Writing System

楔形文字 / 甲骨文


Cuneiform / Oracle Script

楔形文字、甲骨文


Cuneiform, Oracle Script

全球最早文字約距今 5500年前;甲骨文距今約 3300年前


Global writing: ~5,500 BP; Oracle script: ~3,300 BP.



留言

這個網誌中的熱門文章

《手冊》/愛比克泰德—《Enchiridion》/Epictetus 翻譯與解析

  這是一份關於愛比克泰德(Epictetus)《手冊》(Enchiridion)對照翻譯與解析。這部作品是斯多葛學派(Stoicism)的經典,核心在於區分「我們能控制的」與「我們不能控制的」。 斯多葛學派(Stoicism)的核心要素: 以寧靜的心靈接納無法改變的一切, 以勇氣面對可以改變的一切, 以智慧分辨兩者的差異。 —《別因渴望你沒有的,糟蹋了你已經擁有的》 備註: 英文出處 https://classics.mit.edu/Epictetus/epicench.html Gemini對話過程: https://gemini.google.com/share/d001e7c2eebb 📘 1-30完整原文與中譯 (Full Text & Translation) 原文 (The Enchiridion - Elizabeth Carter Translation) 中文翻譯 (Chinese Translation) The Enchiridion By Epictetus. Written 135 A.C.E. Translated by Elizabeth Carter 《手冊》 愛比克泰德 著。寫於西元 135 年。伊莉莎白·卡特 英譯。 1. Some things are in our control and others not. Things in our control are opinion, pursuit, desire, aversion, and, in a word, whatever are our own actions. Things not in our control are body, property, reputation, command, and, in one word, whatever are not our own actions. 1. 有些事情是我們能控制的,有些則不然。我們能控制的是:見解、追求、慾望、厭惡,總之,凡是我們自己的行為。我們不能控制的是:身體、財產、名聲、官職,總之,凡不是我們自己的行為。 The things in our control are by nature free, unrestrained, unhindered; but those n...

《Anthem》/《頌歌》|Leonard Norman Cohen—聽見033

歌曲翻譯與賞析:Leonard Cohen《Anthem》(Gemini) 這是一首充滿哲思與神性的經典作品。Leonard Cohen 在這首歌中探討了人性的不完美、歷史的循環以及在破碎中尋找希望的可能性。 歌詞翻譯 (Lyrics Translation) 原文 (English) 中文翻譯 (Chinese) Ring the bells that still can ring 敲響那些還能發聲的鐘 Forget your perfect offering 忘掉你那所謂完美的奉獻 There is a crack, a crack in everything 萬物皆有裂痕 That's how the light gets in 那是光照進來的地方 The birds they sang at the break of day 鳥兒在黎明時分歌唱 "Start again", I seem to hear them say 「重新開始吧」,我似乎聽見牠們這麼說 Don't dwell on what has passed away 不要糾結於那些已經逝去的 Or what is yet to be 或是那些尚未到來的 Ah, the wars, they will be fought again 啊,戰爭,終將再次開打 The holy dove, she will be caught again 神聖的鴿子,會再次被捕獲 Bought and sold and bought again 被買賣、被交易、再被買賣 The dove is never free 鴿子從未獲得自由                     Ring the bells that still can ring 敲響那些還能發聲的鐘 Forget your perfect offering 忘掉你那所謂完美的奉獻 There is a crack, a crack in everything 萬物皆有裂痕 That's how the light gets in 那是光照進來的地方 We asked for signs, and the signs were sent 我...

觀世音菩薩發願偈/大悲咒|齊豫—聽見003

 今早請Google Nest Mini(智慧音箱) 播放音樂,它播了這首,我非常喜愛的《觀世音菩薩發願偈》,這次聽,多了一層不同的體會。刀山、火湯、地獄、餓鬼、修羅、畜生不在外,而是在我內心阿,是我的陰暗面。當我與它同在,真誠地接納這就是我的一部份,突然間,就會得到平靜、解脫、大智慧。 齐豫演唱的好听佛歌《观音菩萨发愿偈》_哔哩哔哩_bilibili 南無大悲觀世音,願我速知一切法。 南無大悲觀世音,願我早得智慧眼。 南無大悲觀世音,願我速度一切眾。 南無大悲觀世音,願我早得善方便。 南無大悲觀世音,願我速乘般若船。 南無大悲觀世音,願我早得越苦海。 南無大悲觀世音,願我速得戒定道。 南無大悲觀世音,願我早登涅槃山。 南無大悲觀世音,願我速會無為舍。 南無大悲觀世音,願我早同法性身。 我若向刀山,刀山自摧折。 我若向火湯,火湯自消滅。 我若向地獄,地獄自枯竭。 我若向餓鬼,餓鬼自飽滿。 我若向修羅,惡心自調伏。 我若向畜生,自得大智慧。 相關閱讀: 你是什麼,世界就是什麼—《你就是世界》克里希那穆提90篇經典對話錄 攝影: 英勇的膽小鬼-李彥甫Andrew

姿勢決定你是誰!/Your body language shapes who you are|Amy Cuddy—Ted026

姿勢決定你是誰!/Your body language shapes who you are 簡介: 身體語言影響別人對我們的觀感,亦改變我們如何看自己。社會心理學家 Amy Cuddy 說明「高權勢姿勢」。即使在不覺得充滿信心時,站起來裝出一副很有自信的樣子,也可以改變我們腦內睪固酮和腎上腺皮質醇的濃度,進而影響成功的機會。 (NOTE: Some of the findings presented in this talk have been referenced in an ongoing debate among social scientists about robustness and reproducibility. Read "Corrections & Updates" below for more details as well as Amy Cuddy's response.) Body language affects how others see us, but it may also change how we see ourselves. Social psychologist Amy Cuddy argues that "power posing" -- standing in a posture of confidence, even when we don't feel confident -- can boost feelings of confidence, and might have an impact on our chances for success. 中英逐字稿: 首先我要提供你們一個免費的 不涉科技的生活小撇步 你只要 改變你的姿勢二分鐘 在我說明前,我要先請大家 先檢視一下你的姿態 你們之中有多少人縮著身體? 或許你現在駝著背 交叉著雙腳,或者腳踝互勾著 有時我們會這樣抱著手臂 有時我們張開雙臂(笑聲) 我看到囉(笑聲) 現在請大家專心在自己身上 我們等一下在回到這件事上 希望你們可以稍微改變一下 這會讓你的生活變得很不一樣 So I want to start by offering you a free no-tech life hack, a...

It's My Life/我的人生我作主|Bon Jovi—聽見031

It's My Life/我的人生我作主 - Bon Jovi 英文歌詞 中文翻譯 This ain't a song for the broken-hearted 這不是一首寫給心碎者的歌 No silent prayer for the faith-departed 也不是為了喪失信仰的人所做的無聲禱告 I ain't gonna be just a face in the crowd 我不想只做茫茫人海中的一張大眾臉 You're gonna hear my voice 你會聽到我的聲音 When I shout it out loud 當我大聲吶喊的時候 It's my life 我的人生我作主 It's now or never 機不可失,失不再來 I ain't gonna live forever 我不可能長生不老 I just want to live while I'm alive 我只想趁活著的時候,活得精彩 It's my life 我的人生我作主 My heart is like the open highway 我的心就像一條寬廣的公路 Like Frankie said, "I did it my way" 就像法蘭克(辛納屈)說過的:「我走我自己的路」 I just want to live while I'm alive 我只想趁活著的時候,活得精彩 It's my life 我的人生我作主 This is for the ones who stood their ground 這是為了那些堅守陣地、不曾動搖的人們 It's for Tommy and Gina who never backed down 是為了(像歌詞故事中的)湯米和吉娜,他們從不退縮 Tomorrow's getting harder, make no mistake 別搞錯了,未來只會變得更加艱難 Luck ain't enough, you've got to make your own breaks 單靠運氣是不夠的,你得自己創造機會 You better stand tall when they're call...